Throughout the month of August I was participating in the N.E.W.T.’s Readathon hosted by BookTube channel Book Roast. This was a very fun readathon based off of the N.E.W.T. exams from Harry Potter. Which classes you participated in and did prompts for were based off of which O.W.L. classes you completed in a readathon held earlier this year.
Another round of Tome Topple has come and gone. How did I do? Well, life came and kicked me in the teeth the past couple of weeks. A close family friend passed away, I helped one of my siblings move four states away, etc. In the end, I wound up not reading anything for Tome Topple.
It’s that time of year again ladies and gentleman. Another round of the Tome Topple Readathon will be soon upon us. It’s time for discussions of possible to be read piles, and I wanted to share what I will potentially be reading with you.
I first discovered The Accusation by Bandai from a booktube channel thought I cannot recall which one exactly. There was something intriguing about this collection of short stories beyond the obvious – I always enjoy a good short story, and I actively seek out books in translation. This was a collection of stories from a place where we do not get stories, where literature and film and everyday life is somewhat of an unknown. It is a story the author went to great lengths to hide and smuggle out of North Korea to China. It is a story which, by all rights, I should have heard about soon due to nothing less than the sheer importance that it was published.
Mass market paperbacks seem to get a certain amount of derision from the bookish community. They’re too thick, the typeface too small, they fall apart easily, the spines always break, and the covers tear off with little provocation. And I own hundreds of them.
When I was young TokyoPop was one of the top publishers of manga in the US. They ate up IPs for manga. They published a huge variety of genres. They even published light novels, something that many other publishers, even those who did publish manga, largely didn’t touch. A great many TokyoPop titles still grace my shelves. My local library still has dozens of TokyoPop releases in their manga section. By all regards TokyoPop was extremely important in getting manga into the hands of my generations.
Let’s talk about how I’m absolutely terrible at reading challenges.
Two weeks ago was the Tome Topple Readathon began. The goal? Read books that were 500 plus pages long. I’ve done this challenge before and had tons of fun with it, but I wasn’t able to get through all of the books on my to read pile. This time I remedied this, or so I thought. I thought I was being conservative with only having three books on my to be read list as opposed to the normal six or seven. Surely, I’d get to all of them, even if I was hosting Thanksgiving for the first time in the middle of the readathon.
Turns out I only got to one of these. I finished The Kurosagi Corpse Delivery Service by Eiji Otasuka and Housui Yamazaki. This was a great manga omnibus, and I’m very happy that I read it. Sadly, this is the only book I got to. There was simply too much prep work for Thanksgiving with the cooking and cleaning. And afterwards.
Well, long story short I fell down three stairs, sprained one ankle (it’s fine now) and really messed up the other one. Not sure if it’s a bad sprain or a hairline fracture yet, but I will later today. Anyway, I didn’t get through too much after The Kurosagi Corpse Delivery Service. Even though I only finished one book I managed to complete two of the readathon’s challenges. I finished both challenge 2 (read a graphic novel) and challenge 3 (read a book in a series). And you know what? I think this manga should count for challenge 5 (read an adult book) too. This isn’t exactly shonen or shojo. It’s definitely meant for a more mature audience.
Maybe next time Tome Topple comes around I won’t be hosting a holiday or forget how to traverse stairs. One can only hope.
A review of The Kurosagi Corpse Delivery Serice by Eiji Otasuka and Housui Yamazaki will be posted on Monday, December 4th, so stay tuned to see what I thought!
I’ve always read whatever I want, whenever I want. So does everyone, right? Well, I thought so, too. Then I heard about this whole ‘seasonal reading’ thing. It started over the summer while watching a YouTube video by one of the more popular booktubers, someone who’s reviews I like, but whose reading tastes usually stray far from my own. This particular video was about ‘good summer reads’. Curious, I watched on. What were ‘summer reads’? Were those like ‘beach reads’, another term I’d heard bandied about for years but never quite grasped the concept of? My only idea of a ‘beach read’ was ‘book clung to like a lifeline when family and/or friends drag you kicking and screaming to the beach. Usually comes with side of sand and gross, sticky watermelon seeds.’
What is it about fall that makes people turn to horror novels? Is it the crisp air? The desire to be curled up under a blanket? Or, is it really all to do with Halloween? For me I have never enjoyed the horror genre as much as I do when fall rolls around and it seems appropriate to read these dark and ghastly tales. I certainly am not the only one, right?
Today is the 80th anniversary of the release of The Hobbit. In 1998 I received my first copy of The Hobbit by J.R.R. Tolkien. It was a Christmas gift, tucked under the tree with all the others. The book was extremely oversized, the text huge and was filled with the beautiful artwork of Michael Hague. To this day it sits on my shelf (flat as it’s too tall to fit any other way) amongst all my other Tolkien books (as a platform, because, well, it’s huge).